Animation and multimedia training giant Arena launched new stylist version of comprehensive 2.5 year high end supported Animation program, described as Arena Animation Academy Specialist Program 2008 (AAASP 2008), its now be latest complete 3D Animation Career Program. According to spokes person of the Arena that “the course is designed to meet industry specific needs and open the wide area for Animation professional after being trained with Arena Animation 2008 pack. According to officials “project based work in conjunction with theoretical and particle experience person can more elaborate their efforts to get what they really deserve in th Animation industry.
Says R Krishnan, Global Head, Arena Animation, “Arena Animation’s intensive course curriculum and experiential training is designed to give every student the competitive edge in the world of animation and make a great career in this new age industry. We are upgrading the course every year with the latest technological expertise so as to equip our students with the best of skills and make them valued members of this booming industry.”
Key feature of the AAASP 2008
1) Laddered learning
2) E-projects
3) Concept based modules
4) Industry Relevant curriculum
5) Upgraded version
The course which arena offered be 31-month , five semester 3D animation job oriented program . Its includes 3 session in week and each session must be 90 minute long. The eligibility for AAASP 2008 is that person have to be completed their class 12.
Know more about this course here
Arena Animation AAASP
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Monday, May 12, 2008
Wednesday, May 7, 2008
History of Film Animation
The history of film animation began in the 1890s with the earliest days of silent films and continues through the present day. The first animated film was created by Charles-Émile Reynaud, inventor of the praxinoscope, an animation system using loops of 12 pictures. On October 28, 1892 at Musée Grévin in Paris, France he exhibited animations consisting of loops of about 500 frames, using his Théâtre Optique system - similar in principle to a modern film projector.
The first animated work on standard picture film was Humorous Phases of Funny Faces (1906) by J. Stuart Blackton. It features a cartoonist drawing faces on a chalkboard, and the faces apparently coming to life.
Fantasmagorie, by the French director Émile Cohl (also called Émile Courtet), is also noteworthy. It was screened for the first time on August 17, 1908 at Théâtre du Gymnase in Paris. Émile Courtet later went to Fort Lee, New Jersey near New York City in 1912, where he worked for French studio Éclair and spread its technique in the US.
The first puppet-animated film was The Beautiful Lukanida (1912) by the Russian-born (ethnically Polish) director Wladyslaw Starewicz (Ladislas Starevich).
The first animated feature film was El Apóstol, made in 1917 by Quirino Cristiani from Argentina. He also directed two other animated feature films, including 1931's Peludopolis, the first to use synchronized sound. None of these, however, survive to the present day. The earliest-surviving animated feature, which used colour-tinted scenes, is the silhouette-animated Adventures of Prince Achmed (1926) directed by German Lotte Reiniger and French/Hungarian Berthold Bartosch. Walt Disney's Snow White and the Seven Dwarfs (1937), often considered to be the first animated feature when in fact at least eight were previously released, was the nevertheless first to use Technicolor and the first to become successful within the English-speaking world.
The first Japanese-made anime film was the propaganda film Momotaro's Divine Sea Warriors by the Japanese director Mitsuyo Seo. The film, shown in 1945, was ordered to be made to support the war by the Japanese Naval Ministry. The film's song AIEUO no Uta was later used in Osamu Tezuka's anime series Kimba the White Lion. Originally thought to have been destroyed during the American occupation, a negative copy survived and the film is now available in Japan on VHS.
Navtej Kohli Profile on Rollyo
The first animated work on standard picture film was Humorous Phases of Funny Faces (1906) by J. Stuart Blackton. It features a cartoonist drawing faces on a chalkboard, and the faces apparently coming to life.
Fantasmagorie, by the French director Émile Cohl (also called Émile Courtet), is also noteworthy. It was screened for the first time on August 17, 1908 at Théâtre du Gymnase in Paris. Émile Courtet later went to Fort Lee, New Jersey near New York City in 1912, where he worked for French studio Éclair and spread its technique in the US.
The first puppet-animated film was The Beautiful Lukanida (1912) by the Russian-born (ethnically Polish) director Wladyslaw Starewicz (Ladislas Starevich).
The first animated feature film was El Apóstol, made in 1917 by Quirino Cristiani from Argentina. He also directed two other animated feature films, including 1931's Peludopolis, the first to use synchronized sound. None of these, however, survive to the present day. The earliest-surviving animated feature, which used colour-tinted scenes, is the silhouette-animated Adventures of Prince Achmed (1926) directed by German Lotte Reiniger and French/Hungarian Berthold Bartosch. Walt Disney's Snow White and the Seven Dwarfs (1937), often considered to be the first animated feature when in fact at least eight were previously released, was the nevertheless first to use Technicolor and the first to become successful within the English-speaking world.
The first Japanese-made anime film was the propaganda film Momotaro's Divine Sea Warriors by the Japanese director Mitsuyo Seo. The film, shown in 1945, was ordered to be made to support the war by the Japanese Naval Ministry. The film's song AIEUO no Uta was later used in Osamu Tezuka's anime series Kimba the White Lion. Originally thought to have been destroyed during the American occupation, a negative copy survived and the film is now available in Japan on VHS.
Navtej Kohli Profile on Rollyo
Monday, May 5, 2008
Supermarkets in NYC
via flickr
The convenience of having access to fresh food on a regular basis in New York City has officially become a privilege. A new Department of City Planning study has found that underserved communities are the most likely to have supermarkets close. The New York Times covers the study as well. I don't have an understanding of the economic formula that is behind this phenomenon, other than the simple assumption that rents are outpacing margins from food prices.
About a month ago, at the Design Trust for Public Space's Paul Goldberger and Danny Meyers conversation (I believe soon you will be able to download the MP3 from the Design Trust site), there was the idea floated of providing inclusionary rents for small businesses in business districts or main street type areas as a way to maintain community character. Maybe there should be something for supermarkets as well, even if they are not in business districts. There are many micro-communities throughout New York that would not qualify as having a main street. These supermarkets do not have to be "super" either - as long as they did provide produce, not just packaged foods which are now available drug stores and gas stations, and they should be accessible without a car for the most vulnerable populations.
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